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Zhou Tiehai (b.1966) |
BIOGRAPHY 简历 TEXTS PAGE ARCHIVE 89-01 ARCHIVE 2001-
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Zhou Tiehai (b.1966) Calligraphy acrylic (airbrush) on canvas 200 * 72 cm 2005 ZTHU018 |
Zhou Tiehai (b.1966) Orchid,Bamboo,Chrysanthemum acrylic (airbrush) on canvas 200 * 112 cm 2005 ZTHU017 |
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Zhou Tiehai (b.1966) picture of pomegranate acrylic (airbrush) on canvas 191 * 300 cm 2005 ZTHn5-19 |
Zhou Tiehai (b.1966) Liu Xiaoqing acrylic (airbrush) on synthetic canvas 200x150cm 2004? zthn4-22 |
Zhou Tiehai (b.1966) Gong Xue acrylic (airbrush) on synthetic canvas 200x150cm 2003 zthn4-21 |
Zhou Tiehai (b.1966) Chen Ye acrylic (airbrush) on synthetic canvas 200x150cm 2003 zthn4-20 |
Zhou Tiehai (b.1966) Fang Shu acrylic (airbrush) on synthetic canvas 200x150cm 2003 zthn4-19 |
A silent movie by Zhou Tiehai
Video & Script
English (Tape)
17 Min
Zhou Tiehai Will - The Military Meeting 1 300 x 450 cm acrylic (airbrush) on synthetic canvas 2002 zthn2-17 |
Zhou Tiehai Will - The Godfather 135 x 184 cm acrylic (airbrush) on synthetic canvas 2002 zthn2-18 |
Zhou Tiehai Will - The Raft of the Medusa 270 x 360 cm acrylic (airbrush) on synthetic canvas 2002 zthn2-19 |
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Zhou Tiehai(1989-2003)
Zhou Tiehai
March 1-31, 2004
ShanghART Gallery
Zhou Tiehai project for American Effect, Whitney museum, NY (July 3rd - October 12th) |
1966 | Born in Shanghai |
1987 | Fine Arts School of Shanghai University |
1998 | First Prize, Contemporary Chinese Art Award, (CCAA Association, Switzerland) |
Lives and works in Shanghai | |
Solo Exhibition | |
2004 | Zhou Tiehai, 'Tonic +', ShanghART H-Space, Shanghai, China |
2003 | Zhou Tiehai Solo Exhibition - Marella Arte Comtemporanea, Italy |
2001 | the artist isn't here - Shanghai, ShanghART Gallery, Shanghai |
the artist isn't here - New York, ISE Foundation, New York, USA | |
ShanghART at TAF; Zhou Tiehai Solo Show | |
2000 | Zhou Tiehai: Placebo Swiss, Hara Museum, Tokyo, Japan |
Met in Shanghai, Schloss Morsbroich, Germany | |
Will, Gallery Quadrum, Lisbon, Portugal | |
1999 | Don't be Afraid to Make Mistakes, ShanghART Gallery, Shanghai |
1998 | Two Contemporary Chinese Artist, Presentation House Gallery, Vancouver, Canada, (together with Geng Jianyi) |
Zhou Tiehai, Kunsthal Rotterdam, The Netherlands | |
Un/Limited Space (4) - The Shower, German Consulate, Shanghai | |
Beyond the Borderline, Galerie Bernhard Schindler, Bern, Switzerland, (together with Laurent Schmid) | |
1996 | Too Materialistic, Too Spiritualized, CIFA Gallery, Beijing |
Selected Group Exhibitions | |
2005 | China, contemporary painting, Fondazione Cassa di Risparmio, Bologna, Italy |
"On the Edge: Contemporary Chinese Artists Encounter the West", Stanford University, US | |
2004 |
Techniques of the Visible,
5th
Shanghai Biennale,
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"Rogue Nations": Cuban & Chinese Artists, Macla Movimiento de Arte CulturaLatino Americana | |
2003 | Open Sky, Grand Opening of Shanghai Duolun Museum of Modern Art, Shanghai |
urbanart2003, Shanghai, P.R. China, City of Melbourne, Victoria, Australia (PDF) | |
Paradis Fabriques, Centre d'art contemporain, Le Parvis, France | |
Out of Focus: A Dimension for Painting, 25000 Cultural Transmission Center, Beijing, China | |
Different Chose-The Invited Exhibition of the Shanghai 60's Artists, Shanghai Bandao Gallery | |
The American Effect, Whitney Museum, New York, U.S.A. | |
Out of the Red - La generatione emergente,Trevi Flash Art Museum, Italy | |
Alors la Chine? Centre Pompidou, Paris, France | |
2002 | Paris-Pekin, Espace Pierre Cardin, Paris |
Take Part II, Galerie Urs Meile, Luzern, Switzerland | |
Korean and Chinese painting - 2002 New Expression, June 1-30, 2002, Seoul Arts Center, Korea | |
4th Gwangju Biennial, South Korea | |
24:30 Contemporary Art Exhibition, Bizart, Shanghai | |
Art and Economy, Deichtorhallen, Hamburg, Germany | |
2001 | 1st Chengdu Biennale, Chengdu |
Take Part, Galerie Urs Meile, Luzern, Switzland | |
Gallery Opening, Goedhuis Contemporary, New York, U.S.A. | |
Living in Time, Contemporary Artists form China, Hamburger Bahnhof, Berlin, Germany | |
Silhouettes 'n' Shadows, Wilhelmina Quarter, Tilburg, The Netherlands | |
ARCO, Asian Party, Global Game (curated by Hou Hanru), Madrid, Spain | |
2000 | Dystopia + Identity in the Age of Global Communications, (curated by Cristine Wang), Tribes Gallery, New York, USA |
Media City, Seoul, Korea (curator Barbara London) | |
Looking out / Looking in, Art Show 2, East Quad Art Gallery, University of Michigan, USA | |
Pusan International Art Festival, Pusan, Korea (curator Hou Hanru) | |
Art Statements, Art Basel, Switzerland | |
Our Chinese Friends, Bauhaus, Weimar, Germany | |
Gallery Joao Graca, Lisbon, Portugal | |
Exit, Chisenhale Gallery, London, UK | |
1999 | International Photography Biennale, Mexico City, Mexico |
Fortune Global Forum Contemporary Art Exhibit, Jinmao Bldg, Shanghai | |
Cities on the Move 6, Museum of Modern Art, Helsinki, Finland | |
48 Venice Biennale, Venice, Italy (curator Harald Szeemann) | |
'99 Biennale de Maya, Portugal (curator Antonio Pinto) | |
The 14th International Asian Art Exhibition, Asian Art Museum, Fukuoka, Japan, (curator Pi Daojian) | |
Cities on the Move 5, Hayward Gallery, London, U.K. | |
Cities on the Move 4, Louisiana Museum of Modern Art, Copenhagen, Denmark | |
Looking out/Looking In, Plug In Contemporary Art, Winnipeg, Canada | |
1998 | Medialization, Eesti Kunstimuuseum, Sweden |
Cities on the Move 3, P.S.1 Contemporary Art Center, NY, U.S.A. | |
Brushholder Value, Westfalischer Kunstverein, Muenster, Germany,( curator Dirk Luckow) | |
Between the Sky & the Earth, Feng Pinshan Museum, HK University, Hong Kong, (curator Hou Hanru) | |
Medialization, Edsvik konst och Kultur, Sollentuna, Finland, (curator Joseph Backstein) | |
Traffic Jam #1, Billboard, Buro Friedrich, Berlin, Germany, (curator Hou Hanru) | |
Cities on the Move 2, Musee d' Art Contemporain de Bordeaux, France | |
Asia City, The Photographers' Gallery and Asia House, London, U.K. (curator Andrew Cross) | |
Modern Culture's Fame, Modern Culture Communications, Sydney, Australia | |
1997 | Cities on the Move, Secession, Vienna, Austria, (curators Hans Ulrich Obrist and Hou Hanru) |
Another Long March: Chinese Conceptual Art, Chasse Kazerne, Fundament Foundation, Breda, The Netherlands (curators Marianne Brouwer & Chris Driessen) | |
Promenade in Asia, Shiseido Gallery, Tokyo, Japan (curator Shimizu Toshio) | |
1996 | Lets Talk about Money! International Fax Art, Huashan Art School, Shanghai |
In The Name of Art, Liu Haisu Museum, Shanghai, China (curator Zhu Qi) | |
1995 | Shanghai 95', ShanghART, Shanghai |
1994 | APE, Huashan Art School, Shanghai |
1986 | Critical Action, Fudan University, Shanghai |
M, Hongkou District Cultural Centre, Shanghai | |
1984 | Students Exhibition, Fine Art School of Shanghai University, Shanghai |
Works (Selection) | |
2003 | Placebos, Chinese Landscape Scroll II |
2002 | Giuliani (airbrush), Will (gouache on paper) |
2001 | Starts Tonic series, Chinese Landscape Scroll I, Duravit>ShanghART (cake) |
2000 | Single Placebos (Camels), Movie Stars of the 80ies etc |
Placebo Swiss, triptych, airbrush on canvas (15x2,5m), electric motor, height variable | |
Placebo Swiss, airbrush on canvas (15x2,5m), electric motor, height variable | |
Placebo 6-9, airbrush on canvas (15x2,5m), electric motor, height variable | |
1999 | Placebo 2-5, airbrush on canvas (15x2,5m), electric motor, height variable |
Placebo 1, airbrush on canvas (15x2,5m), manual crank, 2.60 m height | |
Artless (gouache on paper, 400x210cm) | |
Hurry up, Art History Isn't Waiting for You (gouache on paper, 370x220cm) | |
Vale Arte1 - PS1 (gouache on paper) | |
Vale Arte2 - Vienna Secession (gouache on paper 175x360cm) | |
Fake Cover: Tofu (print) | |
You Are Not a Hero, Just Because You Have Shown in Venice (gouache on paper, | |
295x315) | |
Vale Art Hara Museum (gouache on paper) | |
Un/Limited Space (photo) | |
1998 | Aiming at the Museum (gouache on paper, 245x280 cm) |
The Avant-Garde doesn't Fear a Long March (gouache on paper) | |
Military Meeting (pencil on paper, 195x275 cm) | |
Fake Cover: Facts (print, 28?7.4cm) | |
The Shower (installation) | |
1997 | Fake Cover: Flash Art (print, 27x20.5 cm) |
Fake Cover: Art in America (print, 27.5x23cm) | |
Black Flag - Vale Arte (flag / performance) | |
Press Conference, (print, 280x380 cm) | |
Buy Happiness / You Can't Grow Healthy and Strong Without the Godfather's (gouache on paper, 280x380 cm) | |
Then there came also a Mr. Gurierec to China (gouache on paper, 250?50cm) | |
Bugle Call (sound-work) | |
Will / We Must (video/film, 17 minutes) | |
Map of Shanghai Avant-Guarde Business Union (gouache on paper, 238?80) | |
Are You Lonely? (gouache on paper, 238x380cm) | |
1996 | Airport (sound-work, 7h30m) |
Where to Find Love in Shanghai? (print) | |
We Went Looking for Love (gouache, collage on paper, 330?70cm) | |
90 Years of our Chinese Cinema (gouache/collage on paper, 300?00cm) | |
We Can't Afford It (gouache on paper, 111?38cm) | |
Citation of Shanghai Avant-Guarde Business Union | |
1995 | Fake Cover: frieze (print, 30x23cm) |
Fake Cover: ARTnews (print, 27.5x21cm) | |
Fake Cover: Newsweek (print, 27x21cm) | |
Shanghai: Asia's Top City of the Future? (gouache on paper, 400?50cm) | |
1994 | There came a Mr. Solomon, (gouache on paper, 230?50cm) |
Je la transport dans un sac de Louis Vuitton (gouache on paper, 250?00cm) | |
1991 | Rein in At the Brink of the Precipice, (gouache on paper, 160x415cm) |
Poison (together with Yang Xu, gouache on paper, 160x415cm) | |
Break (together with Yang Xu, gouache on paper, 212x360cm) | |
Becoming Rust without sharpen the Knife (together with Yang Xu, gouache on | |
paper, 206?30cm) | |
Duke Danno (together with Yang Xu, gouache on paper, 250?50cm) | |
1989 | Old Chair (together with Yang Xu, gouache on paper, 218x160cm) |
Chair (together with Yang Xu, gouache on paper, 160x217cm) | |
Price RMB1600 (together with Yang Xu, gouache on paper, 154x320cm) | |
Large Sofa (together with Yang Xu, gouache on paper, 158x328cm) | |
Ten Years Old (together with Yang Xu gouache on paper, 160x210cm) | |
Raining (together with Yang Xu on paper, 160x234cm) | |
Chair (together with Yang Xu, wood) | |
Publications/Catalogues 中文 | |
Media City seol 2000, Seoul, Korea, 2000 | |
CCAA (Contemporary Chinese Art Award) 1998 | |
Zhongguo qianwei yishu, Tianjin, 1999 | |
Zoo, Purple House, London, 1999 | |
Tofu 1/99, Dazibao, Hong Kong, 1999 | |
Cream, Phaidon Press, London, 1998 | |
Brushholder Value, Oktagon, 1998 | |
Asia City, The Photographers' Gallery, London, 1998 | |
Between The Sky & The Earth, Annie Wong Leung Kit-wah Art Foundation, | |
University Museum and Art Gallery, The University of HK 1998 | |
Cities on the Move, SECESSION & CAPC Museum 1997 | |
Another Long March, Fundament Foundation, 1997 | |
Promenade in Asia, Shiseido Corporate Culture Department 1997 | |
Please check Britta Erickson's Bibliography |
monographies | |
Zhou Tiehai Placebo Swiss , Hara Museum/Shanghart, 2000 | |
Met In Shanghai, KV Schloss Morsbroich, Leverkusen, 2000 | |
catalogues | |
Vitamin P, Phaidon Press, London, 2002 | |
Paris-Pekin, Espace Cardin, Paris, 2002 (collection Ullens) | |
Art& Economy, Deichtorhallen Hamburg & Siemens (Hatje Cantz), 2002 | |
media_city seoul 2000, Seoul, Korea, 2000 | |
CCAA (Contemporary Chinese Art Award), 1998 (text by Harald Szeemann) | |
Zhongguo qianwei yishu, Tianjin, 1999 | |
48th Venice Biennale, 1999 (text by Monica Dematte) | |
Kunst bei Ringier 1995-1998, Zuerich, 1999 | |
Zoo, Issue 2, July, 1999 Purple House, London, (text by Hou Hanru) | |
Pacaembu, Sao Paolo, 1999 | |
Cream, Phaidon Press, London, 1998 | |
Brushholder Value, Soll Haben, Schein Sein, Westfaelischer Kunstverein, Muenster (Oktagon), 1998 | |
Asia City, The Photographers' Gallery, London, 1998 | |
Between The Sky & The Earth, Annie Wong Leung Kit-wah Art Foundation, | |
University Museum and Art Gallery, The University of HK 1998 | |
Cities on the Move, SECESSION & CAPC Museum, 1997 | |
Another Long March, Fundament Foundation, 1997 | |
Promenade in Asia, Shiseido Corporate Culture Department 1997 | |
magazines/newspapers | |
Art, Nr. 5, Mai 2000 (Hamburg) | |
Shanghai Talk, Sept, 1999 ('Don't worry About Making Mistakes' by Grace Fan) | |
Tofu 1/99, Dazibao, Hong Kong, 1999 ('Cover Control' by David Robertson) | |
Asian Wall Street Journal, July 24/5, 1998 ('The Artists is on the Cover' by Mishi Saran) | |
Flashart, Nov/Dez 96 |
Biography in Chinese below:
1966 |
生于上海 |
1987-89 |
就读于上海大学美术学院 |
1998 |
荣获瑞士中国当代艺术协会颁发的中国当代艺术奖金 |
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现生活工作在上 海 |
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主 要 的 个 展: |
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2003 | 周铁海新作品展,Marella Arte Comtemporanea,意大利 |
2001 |
<<艺术家不在这里>>上海香格纳画廊,纽约伊势文化基金会 |
2000 |
周铁海<<安慰药-瑞士>>,日本,东京,原美术馆 |
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<<相遇在上海>>,德国,Schloss Morsbroich |
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<<必须>>,葡萄牙,里斯本,Gallery Quadrum |
1999 |
<<不要怕犯错误>>, 上海香格纳画廊, 上海 |
1998 |
<<两位中国当代艺术家>>加拿大温哥华 Presentation House 画廊 |
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<<周铁海>>荷兰鹿特丹美术馆 (Kunsthal Rotterdam) |
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<<无/有限空间4 – 淋浴器>>德国驻上海总领事馆 |
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<<边界线的那边>>瑞士布尔尼Galerie Bernhard Schindler |
1996 |
<<太物质,太精神>>北京中央美院画廊 |
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主要的群展 |
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2005 | 中国,当代画,Fondazione Cassa di Risparmio,博洛尼亚,意大利 |
2004 | 影像生存-第五届上海双年展, 上海美术馆 |
2003 | 打开天空-上海多伦现代美术馆当代艺术展,上海多伦现代美术馆 |
自制天堂,Le Parvis当代艺术中心,法国Ibos | |
美国的影响,纽约惠特尼美术馆 | |
非聚焦,二万五千里文化传播中心,北京,中国 | |
不同的选择-上海60年代出生艺术家作品邀请展,上海半岛美术馆 | |
走出红色,米兰Trevi Flash美术馆,意大利 | |
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2001 |
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<<亚洲聚合,全球游戏>>,西班牙,马德里艺术博览会 |
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2000 |
<<媒体城市>>,韩国,现代美术馆 |
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<<通道>>,Chisenhale画廊,英国,伦敦 |
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<<釜山国际艺术节>>,韩国,釜山 |
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<<巴塞尔艺术博览会>>,瑞士,巴塞尔 |
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<<我们心中的朋友>>,德国,魏玛包豪斯学院美术馆 |
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1999 |
<<墨西哥国际摄影双年展>>,墨西哥影 像中心,墨西哥 |
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<<第十四届亚洲国际艺术展>>,日本福冈 亚洲美术馆 |
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<<99世界财富论坛---当代艺术展>>,上海金茂大厦, 中国 |
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<<第三届葡萄牙玛亚双年展>>,葡萄牙 |
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<<移动中的城市6>>,芬兰赫尔辛基现代艺 术博物馆 |
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<<第48届威尼斯双年展>>,意大利 |
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<<移动中的城市5>>,英国伦敦Hayward美术馆 |
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<<移动中的城市4>>,丹麦哥本哈根Louisiana 现代美术馆 |
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<<看出去/看进来>>,加拿大温尼伯PlugIn当代 艺术中心 |
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1998 |
<<媒体化2>>(Medialization),瑞典Eesti美术馆 |
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<<正在接近的大陆>>,上海私人住宅 |
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<<移动中的城市3>>,美国纽约P.S.1当代艺 术中心 |
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<<拿画笔的人的价值>>(BrushholderValue),德国 明斯特 |
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WestfalischerKunstverein |
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<<天圆地方及其他>>,香港大学美术博物 馆 |
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<<媒体化>>(Medialization),瑞典Edsvikkonstochkultur, Sollentuna |
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<<交通堵塞1号>>,德国柏林路牌广告,Buro Friedrich |
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<<移动中的城市2>>,法国波尔多当代美术 馆 |
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<<亚洲城市>>,英国伦敦摄影画廊 |
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<<现代文化的声誉>>(ModernCulture'sFame),澳大 利亚悉尼ModernCultureCommunications |
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1997 |
<<移动中的城市1>>,奥地利维也纳分离 派美术馆 |
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<<另一次长征>>,荷兰布雷达ChasseKazerne, FundamentFoundation |
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<<亚细亚散步>>,日本东京资生堂画廊 |
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1996 |
<<让我们谈谈钱-国际传真展>>,上海 华山美校 |
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<<以艺术的名义>>,上海刘海粟美术馆 |
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1995 |
<<香格纳画廊95'>>,上海香格纳画廊 |
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1994 |
<<猿>>,上海华山美术学校 |
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1986 |
<<创造行动>>,上海复旦大学 |
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<<M>>,上海虹口文化中心 |
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1984 |
<<寒假作品展>>,上海美术学校 |
主要作品: |
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1999 |
<<天真>>(400×210cm,纸上综合材料) |
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<<快点,历史不等人>>,(纸上综合材料) |
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<<再见吧,艺术1-PS1>>,(纸上综合材料) |
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<<再见吧,艺术2-分离派美术馆>>,(纸上综 合材料) |
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封面:<<豆腐>>(印刷品) |
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<<到了威尼斯非好汉>>,(纸上综合材料) |
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<<原美术馆>>,(纸上综合材料) |
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<<无/有限空间>>,(照片) |
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<<右派能给左派幸福吗?>>,(纸上综合材料) |
1998 |
<<目标美术馆>>,(245×280cm,纸上综合材 料) |
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<<前卫不怕远征难>>,(纸上综合材料) |
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<<军事会议>>,(195×275cm,纸上综合材料) |
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封面:<<Facts>>,(28×27.4cm,印刷品) |
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<<淋浴器>>,(装置) |
1997 |
封面:<<FlashArt>>,(27×20.5cm,印刷品) |
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封面:<<ArtinAmerica>>,(27.5×23cm,印刷品) |
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<<再见吧,艺术>>,(行为表演) |
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<<新闻发布会>>,(280×380cm,印刷品) |
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<<采购幸福/茁壮成长离不开教父教母的呵 护>>,(410×310cm,纸上综合材料) |
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<<中国又来个顾磊克>>,(250×350cm,纸上综合 材料) |
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<<军号>>,(声音装置) |
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<<必须>>,(录象,17分钟) |
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<<上海前卫工商联合会地图>>,(238×380cm,纸 上综合材料) |
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<<你孤独?>>,(230×395cm,纸上综合材料) |
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<<香格纳,不沉的航空母舰>>,(模型) |
1996 |
<<机场>>,(声音装置) |
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<<在上海哪里可以找到爱情?>>,(印刷品) |
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<<我们寻找爱情去了>>,(330×170cm,纸上综合 材料) |
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<<我们电影90年>>,(300×300cm,布上综合材料) |
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<<我们负担不起>>,(111×238cm,纸上综合材料) |
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<<上海前卫工商联奖状>>,(印刷品) |
1995 |
封面:<<Frieze>>,(30×23cm,印刷品) |
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封面:<<ARTnews>>,(27.5×21cm,印刷品) |
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封面:<<Newsweek>>,(26.9×20.5,印刷品) |
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<<上海亚洲将来最繁荣的城市>>,(400×250cm, 纸上综合材料) |
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<<给前卫师傅送泰国贵族大米>>,(行为) |
1994 |
<<中国又来了个索罗门>>,(230×350cm,纸 上综合材料) |
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<<我的画要用路易威登的包来装>>,(250×400cm, 纸上综合材料) |
1991 |
<<悬崖勒马>>,(160×415cm,纸上综合材料,与 杨旭合作) |
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<<毒药>>,(160×415cm,纸上综合材料),与杨旭 合作) |
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<<决裂>>,(212×360cm,纸上综合材料),与杨旭 合作) |
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<<刀锋不磨人生锈>>,(206×330cm,纸上综合材 料,与杨旭合作) |
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<<丹诺公爵>>,(250×350cm,纸上综合材料,与杨 旭合作) |
1989 |
<<法老凳>>,(218×160cm,纸上综合材料,与 杨旭合作) |
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<<石头凳>>,(160×217cm,纸上综合材料,与杨旭 合作) |
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<<大沙发>>,(158×320cm,纸上综合材料,与杨旭 合作) |
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<<价格1600元>>,(154×320cm,纸上综合材料,与杨 旭合作) |
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<<雨漫漫>>,(160×234cm,纸上综合材料,与杨旭 合作) |
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<<十年前>>,(160×210cm,纸上综合材料,与杨旭 合作) |
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<<椅子>>,(木材,与杨旭合作) |
画册: |
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中国前卫艺术,,白花文艺出版社,1999 |
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La Biennale di Venezia, 1999 |
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Zoo, Purple House, London, 1999 |
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CCAA Prize, 1999 |
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PlatForm99, CANVAS1999 |
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Kunst Bei Ringier1995-1998, 1999 |
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Tofu 1/99, Dazibao, Hong Kong, 1999 |
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Cream, Phaidon Press, London, 1998 |
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Brushholder Value, Oktagon, 1998 |
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Asia City, The Photographers' Gallery, London, 1998 |
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Between The Sky & The Earth, Annie Wong Leung Kit-wah Art Foundation, University Museum and Art Gallery, The University of HK 1998 |
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Cities on the Move, SECESSION & CAPC Museum 1997 |
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Another Long March, Fundament Foundation 1997 |
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Promenade in Asia, Shiseido Corporate Culture Department 1997 |