ARIN RUNGJANG 阿林·朗姜
10-channel video, timing variable | A panel (elephant) 5 minutes | B panel (elephant) 5 minutes 37 seconds | C panel (elephant) 5 minutes 33 seconds | D panel (elephant) 5 minutes | E panel (elephant) 7 minutes 20 seconds | F panel (text) 20 minutes 58 seconds | G panel (human) 9 minutes 28 seconds | H panel (human) 9 minutes 28 seconds | I panel (human) 9 minutes 28 seconds | J panel (human) 9 minutes 28 seconds
Edition of 3
Arin Rungjang (born 1975, Bangkok; lives and works in Bangkok) is known for deftly revisiting historical material, overlapping major and minor narratives across multiple times, places, and languages. His interest lies in lesser-known aspects of Thai history and their intersection with the present in the sites and contexts of his practice. Objects, which can draw together distant events across time and space, are central to his investigations. He has a practice that spans different media and often involves video and site-specific installation. In his exploration of history and everyday life experiences he artfully dissects material and revisits master-narratives through the agency of small events.
Recent exhibitions include “Bengawan Solo”, Portikus, Germany (2018), “SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now”, Mori Art Museum and The National Art Center, Japan (2017), “Documenta 14”, Kassel, Germany and Athens, Greece (2017), “Mongkut”, Satellite 8 Programme, Maison d’Art Bernard Anthonioz, Paris and CAPC Musée d'art contemporain, Bordeaux, France (2015), “APB Foundation Signature Art Prize”, Singapore Art Museum, Singapore (2014), “Golden Teardrop”, representing Thailand at the 55th Venice Biennale, Venice, Italy (2013). He has participated in the “12th Shanghai Biennale: Proregress”, Shanghai, China (2018), “Echigo-Tsumari Art Triennale 2018”, Japan, “JIWA: Jakarta Biennale 2017”, Indonesia.
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