This issue is rich in reviews of exhibitions featuring Asian artists. These include solo exhibitions of Yoko Kajio, Liu Xiaoxian and Matthew Ngui at the Contemporary Art Centre of South Australia; and group exhibitions Self: Contemporary Indian Video Art at the Institute of Modern Art in Brisbane, Compound Eyes: Contemporary Video Art from China at Ivan Doughety Gallery in Sydney, [The World May Be] Fantastic which was organised as a programme of the 2002 Biennale of Sydney, and the Fourth Asia-Pacific Triennale.