Since the early 1990s, Feng Mengbo has worked at the intersection between painting and digital medium, with CD-ROMs (My Private Album, 1997), and video game formats (Taking Mt. Doom by Strategy, 1997). Incorporating travesties of political propaganda (Game Over, My Private Album), Feng combines various cultural influences ？ from video games to icons from China's Cultural Revolution and Hong Kong action cinema ？ into a universal iconography of the everyday. This is the catalogue for the solo exhibition of Feng Mengbo at Hanart Gallery in 1994, featuring the ‘Game Over: Long March’ series and the ‘Taxi! Taxi! – Mao Zedong III’ series. Essays written by Linda Jaivin and Li Xianting (in Chinese only) which study the art of Feng Mengbo are also included.