Valentine Willie's inaugural exhibition in Singapore, showcasing mainly monochromatic works by artists from five Southeast Asian countries. It aims to rehabilitate drawing, the oldest and most primordial of media, as a powerful and uncompromising tool that can transform intangible concepts into compelling two-dimensional works of art. In her essay, Iola Lenzi discusses how drawing remains a "pillar of artistic expression" in Asian contemporary practice and offers a potent retort to an often visually over-saturated world.