Private Days (by invitation only)
Thursday, April 25, 2024, 2pm to 9pm
Friday, April 26, 2024, 12pm to 8pm
Public Days
Saturday, April 27, 2024, 12pm to 8pm
Sunday, April 28, 2024, 12pm to 6pm
It takes time
ShanghART Gallery is pleased to present the solo exhibition of Singaporean artist Robert Zhao Renhui at Photofairs Shanghai 2024, from 25 to 28 April, booth A28. Themed "It Takes Time", the exhibition features 14 works from 2010 to the present, presented chronologically, exploring nature from the perspectives of how nature is being viewed, the relationship between humans and nature, and the narratives of nature by itself.
About Seeing and to Be Seen
Robert used thermal cameras to capture the imperceptible dynamics of life in the city at night in his latest work, "Things From the Heat". He has long studied the energy in nature, whether it is the interactions between different beings or competition with invisible energies such as time. He uses his perspective to get a glimpse of the greater reality of nature.
Meanwhile, at the 60th Venice Biennale 2024, Robert represents Singapore to present the project "Seeing Forest" at the Singapore Pavilion, where the video aspects of "Things From the Heat" is part of a two-channel video projection work. The exhibition at Photofairs Shanghai 2024 marks the first time that the series is presented in its photographic form.
Classification
"A Hole in the Sky " is a triptych that documents the process of tree pruning, one of the iconic scenarios of nature management in Singapore, where a great deal of machinery and manpower is invested in pruning and relocating trees. Confronted with climate changes, the artist describes human maintenance and management as futile - "Nothing lasts forever! Our favorite flowers wither, while the weeds we loathe thrive."
A Great Sign Appeared
"Flock of Ocean Munias" is a piece from the series of works “Pulau Pejantan” (2010). Pulau Pejantan’s unique geographical environment and abundance of species have made it a favorite of many naturalists. The artwork depicts a group of flying birds that form a recognizable pattern in the sky.
Evolved Species
In "Plate 35, Rhinoceros with No Horns" and "Elephant That Has No Tusk", hornless rhinoceros and tuskless elephants are more likely to mate successfully and pass on their traits to the next generation, which has changed the gene pool of the animals, resulting in the evolution of hornless/tuskless populations. The artist commemorates the evolution of the species through these grotesque breaches of human norms, celebrating the lives that have survived the destruction rather than the usual repulsion towards new or invasive species.
Artist Robert Zhao to represent Singapore at 2024 Venice Biennale | The Straits Times
新加坡参加2024威尼斯双年展 | 联合早报
【城市呼吸|胡锦伟】新加坡次生林,准备前进威尼斯艺术双年展 | 8视界
Robert Zhao Renhui on Representing Singapore at the 60th Venice Biennale | ArtReview
Robert Zhao: Exploring the Boundaries Between Empirical and Enchantment | ArtReview