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Getting Along With It
Group Exhibition Space & Gallery Association, Shanghai, 3F, Bund 3, No.3 Zhongshan Dong Yi Road, Huangpu District
Date: 06.29, 2024 - 08.08, 2024

Artists: HAN Feng 韩锋 |  LIU Yi 刘毅 |  YU Youhan 余友涵 |  ZHANG Enli 张恩利 | 

Curators: Wang Yu, Zheng Gang

Participating Artists: Yu Youhan,  Kishio Sugai, He Saibang, Feng Lianghong, Huang Yuanqing, Zhang Enli, Han Feng, Tu Hongtao, Liao Guohe, Qiu Jia, Liu Yi, Zhong Yunshu

Opening: 2024/6/29 15:00-18:00

Exhibition Period: 2024/6/29 - 2024/8/8 (Tue-Sun 10:00-18:30)

The process of painting itself is an eternal process of removing the old from the new: the expression of individuality dominated by the artist's own unique feelings, tendencies and choices; not following the sequential direction of the so-called conceptual genres and the old and new misconceptions; transcending the purely visual way of observation, and focusing on the  improvisation and directness of the painting process, the simplicity of the use of color, the sense of looseness, the unfamiliar, unconventional, non-descriptive painting propositions and creative innovations.

The exhibition focuses on the issues of "Independence and Self-Awareness in Painting" and "Interrelationship between Space, Painting and Installation”.The curatorial aim of the group exhibition is to explore new perspectives and methods of mindfulness, in order to update the overall judgment and value orientation towards the noisy and disturbing external world. At the same time, information needs to be filtered and considered by individuals: fragmentation, resetting, wrapping, restoration, matching light and dark, and making the best use of daily waste....Whether obvious or hidden, we encourage the viewer to think deeply and look freshly at the everyday world around them, to create order out of chaos, to discover the essence of things, the critical relationships between objects, the relationship between objects and space, etc.

“The mountain spring surrounds the house, knowing the depth” For the shielding of the artist's own differences, the strengthening of the artist's commodity attributes, the smoothness of the highly programmed picture and the charm of pleasing, it is necessary to carefully keep a distance from it; to see the unseen, the seemingly immature, but refreshingly childish interest, on the contrary, it is possible to draw sufficient sustenance from it; We realize that the experimental material process is sometimes even more important than the conceptual composition, where the concept is interpretable as a variable and the material itself reflects the truth. The higher stages of installation art almost always contain infinite meanings in their simplicity, and strive to recover the vitality of the simple sensual nature that is being lost.

Existance and non-existance lies upon each other, things that are chiaroscuro are often subtle.As quiet and natural as the water flow, the style of the appearance is pure and refined, complementing both the content and the realm, as well as the spirit and the aesthetics. As Deleuze said, "Time is the prolongation of consciousness", we expect that the  explorations of the twelve participating artists in this group exhibition, including Yu Youhan,  Kishio Suga, He SaiPang, Feng Lianghong, Huang Yuanqing, Zhang Enli, Tu Hongtao, and Liao Guohe, will lead to intriguing cont

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