International alliances. To crack open this power relation Surplus Authors looks at a group of artists whose work traces and delineates several fault lines inherent in the act of collaboration from (art) historical and social indebtedness, to trust, generosity, incentives, antagonism, and even cooption. Without laying claim to any illustrative narratives, Surplus Authors presents itself at a time of a growing call for institutions to work together as a promised means to alleviate the reasons for austerity.
As a possible retort, Surplus Authors begs another question: is collaboration an end in and of itself, or is it a tenuous and unfolding process in which psychological, intellectual, and political dynamics are contested and reconstituted?