苏畅《洞》展览现场 ｜ ShanghART WeChat
2024-12-10 18:17

苏畅《洞》展览现场，香格纳M50，2021


“如果撇去艺术空间的定义，这里更像一座上海近代工业遗留下来的工厂教堂。角铁与木板所构成的实用主义屋顶并不逊色于哥特教堂的复杂尖顶。而白色的展墙隔绝了四周对你的影响，将你的意识向上衍生，入口的台阶更强调了这一过程。当这里足够安静的时候，在室内你可以听见内环高架的车流声在大楼间不断震荡产生的回响。你会发现这种嗡嗡的背景声音贯穿了整个城市。这声音通过窗户，随阳光落在雕塑上，像雨点激起的涟漪般散开，在雕塑间来回碰撞融化在石膏表面上。

"If we exclude the definition of art space, this place is more like a factory church left over from Shanghai's modern industry period. The utilitarian roof made of angle irons and wood panels is no less intricate than Gothic church spires. And the white walls cut off you from the distractions of outside world , deriving your stream of consciousness upwards, and this process is emphasised by the stairs at the entrance. When it is quiet enough, indoors you can hear the reverberation of the traffic on the inner ring highway vibrating constantly between buildings. You will find this humming background noise throughout the city. It travels through windows and falls on sculptures following the sunlight, spreading out like ripples stirred up by rain, colliding back and forth between the sculptures and melting into their plaster surfaces.


我希望这组作品能让你和这个城市更好的联接。为此我尽量不使用灯光，雕塑当随日夜更替而具有生命，即使傍晚的昏暗也会增强雕塑的体量感，使他变得更重。你只是需要一些耐心，多呆一会，让自己的身体放松下来。我在这个并不宽广的展厅将雕塑做的大一些，拥挤一些，是为了迫使你可以在雕塑之间的行走过程中去感觉他们，你甚至很难看清他们的全貌，雕塑因为你的移动而被重新组织起来。也许你可以尝试闭上眼睛观看，慢慢的试着移动几步，可能你会发现依然能够“看到”雕塑。只需要伴随简单的雕塑语言就可以在这个城市轻声的充满情感的无言之歌中随雕塑的起伏律动而呼吸。不用去联想什么，不用去寻找一个目的地，放松，请停留在这一刻。”

To strengthen your connection to the city, I have tried to not use artificial light, as the sculpture comes to life with the change of day and night, and even the dimness of the evening enhances the volume of the sculpture and makes it heavier. If you be patient and stay for a little longer, it will let your body relax. I made the works larger and denser in this not-so-spacious gallery, forcing you to sense while walking among them, so it is hard to have an overall perspective, and the sculptures are reorganized as you move around. Maybe you can try to close your eyes and move a few steps slowly, you may find that you can still "see" the sculptures. Through the simple language of sculpture, you can breathe with their ebb and flow in the soft, emotionally charged, wordless song of the city. No need to associate anything, no need to look for a destination, just relax and enjoy the moment."


苏畅
Su Chang




作为香格纳M50在2021年的开年展，也是艺术家苏畅在香格纳画廊的首展，《洞》于3月18日正式对外开放。展览呈现了艺术家在曾是锅炉房的展厅空间内历时两个多月完成的大型雕塑。

As the first exhibition of ShanghART M50 in 2021, and also the first show of artist Su Chang with the gallery, "Hole" was officially opened on March 18th. The artist has been working in the exhibition hall for more than two months, and now his large-scale sculptures are ready to face with audiences.

Image艺术家现场工作记录
图片致谢zhu yumin




▼ 预约参观 ▼

为了给观众提供更好的观展体验，至5月16日期间采用预约制，请点击下方小程序进行预约。

To provide a better viewing experience, this exhibition is open by appointment only starting 19 March. Please schedule your visit via the link below.



苏畅：洞

Su Chang: Hole


展期 | Duration

2021/03/18 – 05/16

周三 – 周日 Wed. - Sun.  11:00-18:00


地点 | Location

香格纳M50，上海普陀区莫干山路50号16号楼

ShanghART M50, Bldg 16, 50 Moganshan Rd., Putuo District, Shanghai

点击导航 香格纳M50



▼ 相关阅读 ▼

香格纳M50 | 3月18日，欢迎来到苏畅的“洞”





香格纳M50 | 苏畅：唤醒潜意识中身体的“观看”




▼关于艺术家 ▼


苏畅，1985 年出生并成长于上海。他坚定地使用雕塑语言并以此作为自己艺术实验的载体。对雕塑内在性的重新理解和独立实践贯穿了持续不断的工作。他希望以简单的日常视觉元素为基础，消化并产生新的语言。并用这些作品审视着在面对公共性和个人焦虑的交错中人在其中的徘徊，及这种模糊的行为在心理上书写下的痕迹。


近期个展包括：“雕塑实验”西岸博览会特展单元，上海（2020）；“一个临时空间”，四方当代美术馆项目空间，上海（2018）；“出口”，广东美术馆，广州（2018）；“呼吸”，AIKE，上海（2017）；“小径”，东画廊，上海（2015）。近期主要群展包括：“EXIT PLAN”，SNAP艺术中心，上海（2019）；“秘径通幽”，Peres Projects，柏林，德国（2019）；“Why White”，小美术馆，上海（2018）；“原素”，复星基金会ANNEX艺术空间，上海（2018）；“上海星空II”，余德耀美术馆，上海（2017）；“我们：一个关于中国当代艺术家的力量”，chi K11美术馆，上海（2016）。

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Related Artists: SU CHANG 苏畅

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