With strong self consciousness of tragedy, you can tell Zhou Zixi’s patient understanding of disaster and suffering from his paintings. The sublimity of tragedy appear silently in the mechanism and reason, and he try to seize the steady state of ruins under the pressure of culture which build on the time and culture, and also the giant space, the helplessness of connection with people. The spreading of desperate and reluctant is in the molted interpretation. His works have all the active elements of all the great works, but also the inactive elements of the unsuccessful works. It explores that there is unreconciled conflict between heavy weighed conceptual saint and null people. It is slightly hasty from the control of image, maybe there are some difficulties in the fermentation of his indulgence of pure form.