TAIKI SAKPISIT 泰基·塞比斯特
b. 1975, works and lives in Bangkok, Thailand
Prize
Collections
| 2025 | e-flux Film Award |
| 29th Thai Short Film & Video Festival (2nd Prize of the R.D. Pestonji Award) | |
| 2022 | 26th Thai Short Film & Video Festival (2nd Prize of the R.D. Pestonji Award) |
| Starpics Thai Films Critic Choices (Best Director, Best Screenplay, Best Cinematographer, Best Film Score) | |
| 30th Bangkok Critics Assembly (Best Director, Best Cinematographer, Best Film Score, Young Filmmaker Award) | |
| Asian Film Festival, Rome, Italy (Best Director) | |
| 18th Kom Chad Luek Awards (Best Director) | |
| 2021 | International Film Festival Rotterdam (Prix Fipresci De La Presse Internationale) |
| The International Festival of New Film / Split Film Festival (Honourable Mention) | |
| 2020 | 24th Thai Short Film & Video Festival (2nd Prize of the R.D. Pestonji Award) |
| 2019 | 23rd Thai Short Film & Video Festival (2nd Prize of the R.D. Pestonji Award) |
| 2013 | 17th Thai Short Film & Video Festival (The Vichitmatra Award for distinctive achievements in filmmaking) |
| 2011 | 15th Thai Short Film & Video Festival (1st Prize of the R.D. Pestonji Award) |
| 2010 | The Doi Saket International Film Festival (Best Thai Film) |
| 2009 | 13th Thai Short Film & Video Festival (The Vichitmatra Award for distinctive achievements in filmmaking) |
| Solo Exhibitions | (Selected | | | All) |
| 2026 | Taiki Sakpisit: 13 Nightmares, ShanghART Singapore, Singapore |
| 2024 | Dark Was the Night -ผีพุ่งไต้, SAC Gallery, Thailand |
| 2021 | Seeing in the Dark, SAC Gallery, Bangkok, Thailand |
| 2018 | Until Morning Comes, SAC Gallery, Bangkok, Thailand |
| 2011 | A Ripe Volcano, Bangkok Art and Culture Centre (BACC), Bangkok, Thailand |
| Group Exhibitions | (Selected | | | All) |
| 2026 | Spirits Melt to Flesh, Curated by Sam I-shan, Bangkok Kunsthalle, Thailand |
| Asia, The Apparatus, The National Asian Culture Center, South Korea | |
| 2025 | The 14th Mercosul Biennial, Porto Alegre, Brazil |
| 2019 | The Image and Its Image, Curated by George Clark, Nordland Kunstog Filmfagskole in Kabelvåg, Norway |
| ACC Cinematheque, Gwangju, South Korea | |
| 2017 | Samut Thai: Unfinished Histories, BankART Studio, Yokohama, Japan |
| 2014 | Media / Art Kitchen: Reality Distortion Field, BACC, Thailand |
| Media / Art Kitchen ‘Yebizo’ Edition, Tokyo Metropolitan Museum of Photography, Tokyo, Japan | |
| Les Rencontres Internationales, Gaite Lyrique, Palais de Tokyo, Paris, France | |
| Haus Der Kulturen Der Welt, Berlin, Germany | |
| Haunted Thresholds, Kunstverein Gottingen, Berlin, Germany |
| Projects | (Selected | | | All) |
| 2026 | Focus Asia Residency, Parramatta Artists Studios, NSW, Australia |
| 2024 | Absence in Greyscale, Southeast Asian Cinema and Its Diaspora: Theory/Praxis/Politics, Trylon Cinema Theater, Minnesota, USA |
| LIVING AN𝑂𝑇𝐻𝐸𝑅 FUTURE, curated by Zoe Butt, public program of film screenings, MAIIAM Contemporary Art Museum, Chiang Mai, Thailand | |
| 2023 | The Edge of Daybreak, a film screening followed by a Q&A moderated by curator & writer Julian Ross, Rijksakademie, Amsterdam, The Netherlands |
| Film Festivals | (All | | | Selected) |
| Asia Culture Center, Gwangju, South Korea | |
| Kortfilm.be, Belgium | |
| Objectifs Film Library, Objectifs - Centre for Photography & Film, Singapore | |
| Canyon Cinema, San Francisco, California, USA | |
| Nanyang Academy of Fine Arts, Singapore | |
| Aura Contemporary Art Foundation, Japan | |
| Kadist Art Foundation, Paris, France; San Francisco, U.S.A. |
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