2021
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M+ Sigg Collection: From Revolution to Globalisation, M+ Museum, Hong Kong
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2019
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New York: The 1980s; Part II, Consortium Museum, Dijon, France
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Bauhaus: Utopia in Crisis, Camberwell Space, London, U.K.
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There will never be a door. You are inside., Works from the Coleção Teixeira de Freitas, Sala de Arte of Fundacion Santander, Madrid, Spain
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2018
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Nothing Will Be As Before, Tanya Leighton, Berlin
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2017
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Alt-facts, Postmasters Gallery, New York, U.S.A.
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2015
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Affinity Atlas, Tang Teaching Museum, Skidmore College, Saratoga Springs, NY , Berman Museum, Collegeville, U.S.A.
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2014
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Pictures: What Is to Come Has Already Arrived, Centro Andaluz de Arte de Contemporaneo, Seville, Spain
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David Diao / Two Generations of Color Painting (1970) in ICA@50, Institute of Contemporary Art, Philadelphia, U.S.A.
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Biennial, The Whitney Museum of American Art, New York, U.S.A.
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Some Artists, Minus Space, Brooklyn, New York, U.S.A.
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2013
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Swing State, Jane Kim Gallery, New York, U.S.A.
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2012
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The Annual: 2012, National Academy Museum, New York, U.S.A.
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Painters Panting, Atlanta Contemporary Art Center, Atlanta, U.S.A.
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NY Open::Closed, 601Artspace, New York, U.S.A.
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Context Messagem, Zach Feuer Gallery, New York, U.S.A.
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Conceptual Abstraction, Hunter College Art Galleries, New York, U.S.A.
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Walid Raad&David Diao, Paula Cooper Gallery, New York, U.S.A.
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2011
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Colorific! We Make an Art Rainbow Organized by Paulina, Postmasters Gallery, New York, U.S.A.
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The Horizon Behind Us, The Kaleidoscope Project Space, Milan, Italy
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Art / System / Poesie, In Situ/Fabienne Leclerc, Paris
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The Indiscipline of Painting: International abstraction from the 1960s to now, Tate St. Ives, Cornwall, UK
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One Suitcase Per Person,David Diao&Ken Lum&Hiram To, 1aSpace, Hong Kong
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2010
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Matthew Brannon, Mathew Cerletty, David Diao, Daniel Sinsel, Office Baroque, Antwerp, Belguim
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Lonely At The Top: Modern Dialect, MuHKA, Antwerp, Bleguim
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2009
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Images & (Re)Presentations, Magasin-CNAC, Grenoble, France
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2008
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Unnamablename, Københavns Hovedbibliothek, Copenhagen, Denmark
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2007
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Stripes, Tang Museum, Skidmore College, Sarotoga Springs, New York, U.S.A.
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Dialogues, Le Quartier, Centre d’Art Contemporain de Quimper, France
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High Times, Hard Times: New York Painting 1967-1975,
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2005
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David Diao/Gang Zhao, Hanart TZ Gallery, Hong Kong
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Open! Kuandu Extravganza, Kuandu Museum, Taiwan
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Design for Living, Islip Art Museum, East Islip, U.S.A.
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Dreaming of a More Better Future, Cleveland Institute of Art, Rehberger Galleries, Cleveland
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C, Hanart TZ Gallery, Hong Kong
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2004
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The Inverse Mirror, Chambers Fine Arts, New York, U.S.A.
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About Painting, Tang Museum, Skidmore College, Saratoga Springs, New York, U.S.A.
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2003
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Temporal Surfaces, Vancouver Art Gallery, Vancouver, BC, Canada
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Black Belt, The Studio Museum in Harlem, New York, U.S.A.
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David Diao /Gang Zhao: at Mid Career, Asian American Arts Centre, New York, U.S.A.
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2001
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The Sensibility of the 80s, Thomas Ammann Fine Art, Zurich, CH
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2000
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Personal Space: the Domesticated Long Island Landscape, The Parrish Museum, Southampton, New York, U.S.A.
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1997
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After the Fall, Painting in New York Since 1970, Snug Harbor Center for the Arts, Staten Island, New York, U.S.A.
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1996
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Time Wise, The Swiss Institute, New York, U.S.A.
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Fractured Fairy Tales: Art in the Age of Categorical Disintergration, Duke University Museum of Art, Durham, U.S.A.
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Thinking Print, The Museum of Modern Art, New York, U.S.A.
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Landscape Reclaimed, The Aldrich Contemporary Art Museum, Ridgefield, U.S.A.
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1995
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On Target, Horodner Romley Gallery, New York, U.S.A.
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True Lies, Bernard Toale Gallery, Boston, U.S.A.
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Raw, Postmasters Gallery, New York, U.S.A.
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1994
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Die Orte der Kunst, Sprengel Museum, Hannover, Germany
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Crash, Thread Waxing Space, New York, U.S.A.
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About Time, Testwall, TZ’Art & Co., New York, U.S.A.
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East/West, Cross Cultural Influences in Painting, E.S. Vandam, New York, U.S.A.
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1993
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Neither East nor West: 7 Contemporary New York Artists, The Taipei Gallery, New York, U.S.A.
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1992
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En Noir et Blanc, Galerie du TNB, Rennes, France
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Quotations, The Aldrich Contemporary Art Museum, Ridgefield, U.S.A.
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then & NOW, Philippe Staib Gallery, New York, U.S.A.
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Slow Art: Painting In New York Now, P.S.1 Museum, New York, U.S.A.
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Oeuvres Americaines, Autour de la Collection, FRAC, Dijon, France
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C’Est Pas La Fin Du Monde – Une Vue Des Années 80, La Cour d’Or, Musée de Metz, France Génériques, le Visuel et l’Écrit, Hôtel des Arts, Paris, France
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Gegen den Strich – Against the Grain, Galerie Theuretzbacher, Vienna, Austria
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1991
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La Peinture abstraite dans la collection du FRAC Bretagne, La Quartier, Quimper, France
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PASTFUTURETENSE, Winnipeg Art Gallery and Vancouver Art Gallery, Vancouver, Canada
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The Construction of Knowledge, Diane Brown Gallery, New York, U.S.A.
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Words & #s, Museum of Contemporary Art, Wright State University, Dayton, U.S.A.
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Le Consortium Collectione, Château d’Oiron, Oiron, France
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Schwerelos, Grossen Orangerie, Charlottenberg Castle, Berlin, Germany
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Conceptual Abstraction, Sidney Janis Gallery, New York, U.S.A.
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1990
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All Quiet On The Western Front?, Espace Dieu, Paris, France
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David Diao, Lawrence Oliver Gallery, Philadelphia, U.S.A.
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The Charade of Mastery, The Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, U.S.A.
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Abstract Painting: the Late Eighties, Lawrence Oliver Gallery, Philadelphia, U.S.A.
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1989
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Diao, Dona, Goldstein, and Ladda, Krygier/Landau Contemporary Art, Los Angeles, U.S.A.
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Diagrams and Surrogates, Shea and Beker Gallery, New York, U.S.A.
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Mind and Matter: New American Abstraction, USIA traveling exhibition to Asian capitals
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Jet Lag, Turon Travel, Inc., New York, U.S.A.
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Une Autre Affaire, Le Consortium, Dijon, France
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1988
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Art at the End of the Social, Rooseum, Malmö, Sweden Greg Kucera Gallery, Seattle, U.S.A.
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David Diao, Shafrazi Gallery, New York, U.S.A.
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1987
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Avant–Garde in the 80’s, Los Angeles County Museum of Art, Los Angeles, U.S.A.
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Corris, Diao, IFP, Parrino, Le Consortium, Dijon, France
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Geometry, Islip Art Museum, East Islip, New York, U.S.A.
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York Post–Abstract Abstraction, The Aldrich Contemporary Art Museum, Ridgefield, U.S.A.
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Meaningful Geometry, Postmasters Gallery, New York, U.S.A.
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1986
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Spiritual America, CEPA, Buffalo, New York, U.S.A.
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Abstract Appropriations, Grey Art Gallery, New York University, New York, U.S.A.
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Red, Massimo Audiello Gallery, New York, U.S.A.
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The Use of Geometry in the 80’s, Wright State University, Dayton, U.S.A.
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Painting and Objects, Postmasters Gallery, New York, U.S.A.
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Ultrasurd, S.L. Simpson Gallery, Toronto,Canada
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Tableaux Abstraits, Villa Arson, Centre National d’Art, Nice, France
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1985
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The Non–Objective World, Kamikaze Club, New York, U.S.A.
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Cult and Decorum, Tibor de Nagy Gallery, New York, U.S.A.
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1983
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The Terminal Show, Brooklyn, New York, U.S.A.
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1982
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The Chinese Response: Paintings by Leading Overseas Artists, Hong Kong Museum of Art, Hong Kong
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1981
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Geometric Abstraction: A New Generation, Institute of Contemporary Art, Boston, U.S.A.
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1979
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Mind Set: An Ongoing Involvement with the Rational Tradition, John Weber Gallery, New York, U.S.A.
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1977
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The New York School: The State of the Art, New York State Museum, Albany, U.S.A.
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1973
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Biennial, The Whitney Museum of American Art, New York, U.S.A.
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Maler, Painters, Peintres, Prospect ‘73, Stadtische Kunsthalle, Dusseldorf, Germany
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1972
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David Diao and Cy Twombly, Hampshire College, Amherst, MA,U.S.A.
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The White Monochrome in 20th Century Art, Museum of Contemporary Art, Chicago 8 from New York, Gallery A, Australia
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8 New York Painters, Berkeley Art Museum, Berkeley, U.S.A.
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1970
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Two Generations of Color Painting, Institute of Contemporary Art, Philadelphia Using Walls, Jewish Museum, New York, U.S.A.
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1969
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David Diao and Peter Young, Leo Castelli Gallery, New York, U.S.A.
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Scenic Landmarks of New York presents a Scenic Landmark for Toronto:David Diao and Brice Marden, Carmen Lamanna Gallery, Toronto, Canada
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The Albert Pilavin Collection: 20th Century American Art, Rhode Island School of Design Museum, Providence, U.S.A.
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Annual, The Whitney Museum of American Art, New York, U.S.A.
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