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BOEDI WIDJAJA 黄晨晗
b. 1975, works and lives in Singapore
BOEDI WIDJAJA 黄晨晗
2018
Graphite and gel medium on paper, accordion book
Open 9.2(H)*184*0.2cm | Closed 9.2*12.2*1.3cm
OT_3885

Widjaja traced his father’s handwriting of the bilingual Rivers and lakes poems on one side of the accordion book, and on the verso, made stone-like marks.  Notions of home, homeland and history, through the lenses of Chinese and Indonesian semantics, may be read into the geographical features and elements that make up the poems. In the installation, the text may appear asemic as it is seen as a reflection. Extending the idea of psychological territories, the stone-like markings were created without material stones.

Detail pictures:

Related Exhibitions:
a lexicon of _____, SMU de Suantio Gallery, Singapore 02.01, 2024 -02.25, 2024
Boedi Widjaja: Rivers and lakes Tanah dan air, ShanghART Singapore, Singapore 12.07, 2018 -02.10, 2019


Related Works:
Stone telling: Caylus 7
Stone telling: Caylus 6
Stone telling: Caylus 11
Stone telling: Caylus 12
Boedi Widjaja: Stone telling: Caylus 10
Boedi Widjaja, Stone telling: Caylus 1
Boedi Widjaja, Stone telling: Caylus 13
Stone telling: Caylus 9
Boedi Widjaja, Stone telling: Caylus 2
Stone telling: Caylus 8
Boedi Widjaja, Stone telling: Tanah dan air (一下)
Boedi Widjaja, Stone telling: Tanah dan air (二上)
Boedi Widjaja, Stone telling: Tanah dan air (三)
Boedi Widjaja, Floating body of memories
Stone telling: Caylus 14
Boedi Widjaja, Stone telling: Caylus 3
Boedi Widjaja, Stone telling: Caylus 4
Boedi Widjaja, Stone Telling: Larangan 1


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