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TANG DA WU 唐大雾
b. 1943, works and lives in Singapore
TDW_0529
Documentation of performance at National Museum Art Gallery, Singapore, 1989. Performance © Tang Da Wu. Photo: Koh Nguang How. Courtesy of Koh Nguang How.
TANG DA WU 唐大雾
1989
installation | performance
Linen rhino, plastic bottles and axe
Dimensions variable 80(H)*600*600cm | Rhino 63*322*192cm | Bottles 19*4.4*4.4cm (x 100 pieces) | Axe 3.5*73.7*17.1cm
TDW_0529

A sculpture of a dead rhino without a horn, surrounded by empty drink bottles, presents a contemporary social commentary on the role of consumerism in destroying nature.

The work brings together installation, performance and ritualistic elements from traditional Chinese culture to send a loud and clear criticism on the Chinese myth about the medicinal properties of the rhinoceros horn that results in poaching and pushing the species into near extinction.

Related Exhibitions:
Awakenings: Art in Society in Asia 1960s – 1990s, The National Museum of Modern Art, Tokyo, Japan 10.10, 2018 -12.24, 2018
Asian Artist Today – Fukuoka Annual V: Tang Da Wu Exhibition, Fukuoka Asian Art Museum, Fukuoka, Japan 09.10, 1991 -11.10, 1991
They Poach the Rhino, Chop Off His Horn and Make This Drink, National Museum Art Gallery, Singapore May,1989


Collections
National Gallery Singapore


Related Works:
TDW_8883
Reconstructed Horn from Rhino Drink

Releated Media Coverage:
  • Aesthetic Radicalism in ‘Awakenings’ at Singapore’s National Gallery | Ocula

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