In the work "Big Stomach," the form of the main subject is enveloped in dazzling fluorescent colors. Streaks of "little monsters," depicted with splashed and flowing textures, cascade downward, appearing to be swallowed, squeezed, or expelled by the central figure. These ambiguous, ribbon-like creatures, each with its own distinct expression, come together in the middle of the composition to form a structure resembling the Chinese character for "human" (人). Here, the language of painting merges with the language of form, serving as a metaphor for our frantic state of absorbing and expelling in today's kaleidoscopic society—or perhaps, for our passivity, as we are voraciously consumed by the times, continuously digested, processed, discarded, and renewed by its "big stomach."

Detail pictures: