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SHAO YI 邵一
b. 1967, works and lives in Hangzhou, Shanghai

SHAO YI 邵一
2014
The Crushed Mirror Glasses by the Fist, Silk Screen Printing (Words Excerpt from Benjamin), Handwriting Comments by Red Marker Pen
80(H)*60(W)cm
SHY_4644

Nowadays, video and mass media is no longer the carrier of mechanical reproduction. They smash the previous physical experience of people, and then revitalise them, to make modern expression of Scientism to be invalid. Meanwhile, contemporary thoughts still pin their hope onto “red” or “blue” modernism, to make a critical judgment about contemporary society.

Before an exhibition in 2014, Shao Yi had a discussion with young scholar Zhang Wei through annotating the excerpts of Benjamin’s writing “The Work of Art in the Age of Mechanical Reproduction”. Then he made silk printing on the mirror glasses and smashes them in the exhibition space. By using the glass as a metaphor, Shao Yi presented the violence in peaceful daily relationships between flesh and object, body and object, so that to compel the original feeling between human and object.

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The elk portrayed by the man of the Stone Age on the walls of his cave was an instrument of magic. He did expose it to his fellow men, but in the main it was meant for the spirits. Today the cult value would seem to demand that the work of art remain hidden: Certain statues of gods are accessible only to the priest in the cella, certain Madonnas remain covered nearly all year round, certain sculptures on medieval cathedrals are invisible to the spectator on ground level. With the emancipation of the various art practices from ritual go increasing opportunities for the exhibition of their products. It is easier to exhibit a portrait bust that can be sent here and there than to exhibit the statue of a divinity that has its fixed place in the interior of a temple. The same holds for the painting as against the mosaic or fresco that preceded it. And even though the public presentability of a mass originally may have been just as great as that of a symphony, the latter originated at the moment when its public presentability promised to surpass that of the mass.

Note 看来: How?
Note 隐匿艺术品: Does collection come from the worship, or the process of capital appreciation?
Note 增加了展示的机会: Don’t you think worship should be demonstrated? What’s the trick of Gregory?
Note 可展示性: Spreading / inform or demonstration / illusion ?
Film= Spreading Illusion

Related Exhibitions:
Summer Wind Flirts among Words ShanghART, Shanghai 07.27, 2019 -08.28, 2019
1+1=SiO² Sanshang Art Museum, Hangzhou 06.21, 2014 -07.12, 2014


Related Texts:
E-Books:
Shao Yi: 2014.6.21 PDF 2016



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