When a large number of Greek refugees came, I couldn’t help but reflect on Greek mythology and the plight of the land that used to shine with divinity, and thus created The Aegean Sea: the prow of a broken iron ship was stranded on a sandy reef, white feathers were scattered all around, and the silk scroll hanging at the end of the iron piece was like a relic of the gown of the goddess of victory, or the white gauze falling from the refugees...
This is a story of waiting: waiting for the return of divinity, the light of humanity, waiting for the return of the Goddess of Victory! And silk - the thread of human destiny stretches out in waiting...
—Liang Shaoji
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