Speaking through the conjunction between the actress’ different looks and various atmospheres, the new film introduces the collage and overlap of images which seem isolated in chronological order. Coming from the “narrated” and fragmentation memory of family history, those images emphasize and magnify the specific gap existing between the above mentioned recollection and the visualized construction of today’s reality, presenting the complicities and multiplicities one may encounter when it comes to the approaches to judgment. Essentially, the work reflects an introspective attitude towards the conception of “self”.