2024
|
These Men are from the Moon, An Examination toward Cultural Gender Subjectivity, Dongyi No.6 Space of Art, Beijing
|
2023
|
Twenty Years of Iteration, Years of Duolun Museum of Modern Art, Duolun Museum of Modern Art, Shanghai
|
|
Motion is Action, 35 Years of Chinese Media Art, By Art Matters, Hangzhou
|
|
Slide/Show, UCCA, Beijing
|
|
Cruel Youth Diary: Chinese Photography and Video from the Haudenschild Collection, Hammer Museum, Los Angeles, U.S.A.
|
2022
|
The First Beijing Biennial, National Base for International Cultural Trade, Beijing Friendship Store; M Woods Museum (Qianliang Hutong), Beijing
|
|
Start, Inaugural Exhibition, Start Museum, Shanghai
|
|
I Loved You, White Rabbit Gallery, Sydney, Australia
|
|
Refocusing on the Medium, The Rise of East Asia Video Art, Minsheng Art Museum, Beijing
|
2021
|
M+ Sigg Collection: From Revolution to Globalisation, M+ Museum, Hong Kong
|
2020
|
Refocusing on the Medium, The Rise of East Asia Video Art, OCAT, Shanghai
|
2019
|
Anti - Projection: Media Sculptures in Early Chinese Video Art, New Century Art Foundation, Beijing
|
|
Side Lanes, ShanghART, Shanghai
|
2018
|
12 Artists, DRC Triennial, DRC No.12, Beijing
|
|
30 Years Documenta of Shanghai Contemporary Art, Third Unit Reconstructing the Contemporary (1992-2000), Mingyuan Art Museum, Shanghai
|
|
Art and China after 1989: Theater of the World, Guggenheim Museum Bilbao, Spain
|
2017
|
Making, Printmaking and Expanded Media, CHAO Art Centre, Beijing
|
|
Anren Biennale, Today's Yesterday, Anren, Chengdu
|
|
Art and China After 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, U.S.A.
|
|
Physical Theatre, ShanghART, Shanghai
|
|
Metamorphosis: Huang Zhuan Memorial Invitational Exhibition, OCAT, Shenzhen
|
2016
|
20, Fosun Foundation, Shanghai
|
|
Historicode: Scarcity & Supply, The 3rd Nanjing International Art Festival, Baijia Lake Museum, Nanjing
|
|
Joy Syringe, Practice, New York
|
|
3rd Bienal de Montevideo 2016, Montevideo, Uruguay
|
|
The Uncertain, or the Shelved..., ShanghART H-Space, Shanghai
|
|
The Uncertain, or the Shelved..., ShanghART Main Space, Shanghai
|
|
That has Been, and May be Again, Para Site, Hong Kong
|
|
Modern Times, ShanghART Singapore, Singapore
|
2015
|
Teetering at the Edge of the World, Espacio de Arte Contemporaneo (Contemporary Art Space), Montevideo, Uruguay
|
|
7 SEVEN: Group Exhibition, ShanghART Singapore, Singapore
|
|
Displaying Fragments, Ten Years of OCAT (2005-2015), OCAT Beijing
|
|
Art Changsha 2015, China: Bridges to History, Technology, Poetry and Grace, Changsha Municipal Museum; Tan Guobin Contemporary Art Museum, Changsha
|
|
Time Present, Photography from the Deutsche Bank Collection, Hara Museum of Contemporary Art, Tokyo, Japan
|
|
Mobile M+: Moving Images, Hong Kong
|
2014
|
Translated Concussion, Methods and Practice of Chinese New Media Art Since 2000, Museum of Contemporary Art Chengdu, Chengdu
|
|
In & Out Réel ShanghART, Réel Department Store, Shanghai
|
|
LANDSEASKY: Revisiting Spatiality in Video Art, OCT Contemporary Art Terminal, Shanghai
|
|
Starlight, ShanghART Main Space, Shanghai
|
2012
|
TransMedia Art & Fashion Exhibition, Shanghai Sculpture Space, Shanghai
|
|
The Seventh Shenzhen Sculpture Biennale, Accidental Message: Art is Not a System, Not a World, OCT Contemporary Art Terminal, Shenzhen
|
|
Face, Minsheng Art Museum, Shanghai
|
2011
|
Moving Image in China: 1988-2011, Minsheng Art Museum, Shanghai
|
|
Out of the Box, The Threshold of Video Art in China (1984-1998), Guangdong Times Museum, Guangzhou
|
2010
|
Out of the Box, The Threshold of Video Art in China, Boers-Li Gallery, Beijing
|
|
TRAP, Art Issue Projects, Beijing
|
|
Negotiation, The Second Today's Documents, Today Art Museum, Beijing
|
|
Not Only Time, Zhang Peili and Zhu Jia, REDCAT (Roy and Edna Disney/Calarts Theater), Los Angeles, U.S.A.
|
|
Credit Suisse Today Art Award 2010, Today Art Museum, Beijing
|
|
Personal Frontier, IA32 Space, Beijing
|
|
Glass Factory, Iberia Center for Contemporary Art, Beijing
|
|
Looking through Film: Traces of Cinema and Self-Constructs in Contemporary Art, OCT Contemporary Art Terminal of He Xiangning Art Museum, Shenzhen
|
2009
|
Double Happiness, Leonhardi Kulturprojekte, Frankfurt, Germany
|
|
Another Scene, Artists' Projects, Concepts and Ideas, ShanghART H-Space, Shanghai
|
|
Impossible, 8 Chinese Artists Engage Absurdity, San Francisco Arts Commission Gallery & MISSION 17, San Francisco, U.S.A
|
2008
|
Out of Love, Contemporary Art Group Show, SOKA Art Center, Beijing
|
|
7th Shanghai Biennale, Trans Local Motion, Shanghai Art Museum, Shanghai
|
2007
|
Awakening from a Ten‐Year Long Sleep 1997-2007, Opening Exhibition of HJY Art Center, HJY Art Center, Beijing
|
|
The First Today's Documents 2007, Energy: Spirit ּ Body ּ Material, Today Art Museum, Beijing
|
|
2nd Documentary Exhibition of Fine Arts, Forms of Concepts, Hubei Museum of Art, Wuhan
|
|
10th International Istanbul Biennial, Not only Possible, But also Necessary-Optimism in the Age of Global War, Istanbul, Turkey
|
|
World Factory, Walter and McBean Galleries, San Francisco Art Institute, U.S.A.
|
2006
|
Nunca salgo sin mi cámara / Never Go Out Without My DVcam, Video en china, Museo Colecciones ICO, Madrid, Spain
|
|
Dual Realities, the 4th Seoul International Media Art Biennale (Media_City Seoul), Seoul Museum of Art, Seoul, Korea
|
|
China Contemporary, Architecture, Art and Visual Culture, Netherlands Architecture Institute; Museum Boijmans Van Beuningen; Netherlands Fotomuseum, The Netherlands
|
|
Jianghu, Jack Tilton Art Galleries, New York, U.S.A.
|
2005
|
The 1st Lianzhou International Photo Festival, Double Vision, Culture Square Lianzhou, Lianzhou, Guangdong
|
|
The Second Guangzhou Triennial, BEYOND: an extraordinary space of experimentation for modernization, Guangdong Museum of Art, Guangzhou
|
|
Zooming into Focus, Contemporary Chinese Photography and Video from the Haudenschild Collection, National Art Museum of China, Beijing
|
|
Plato and His Seven Spirits, OCT Contemporary Art Terminal, Beijing; OCT Contemporary Art Terminal, Shenzhen, Guangdong
|
|
Montpellier / Chine: MC1 Biennale international, The First International Biennial of Contemporary Chinese Art Montpellier-China, Montpellier, France
|
|
Emergency Biennale in Chechnya, A Suitcase from Paris to Grozny, Palais de Tokyo, Paris, France
|
2004
|
Nuit Blanche, Dazibao d'images, Paris, France
|
|
Beyond Boundaries, Shanghai Gallery of Art, Shanghai
|
2003
|
Open Sky, Grand Opening of Shanghai Duolun Museum of Modern Art, Duolun Museum of Modern Art, Shanghai
|
|
Fabricated Paradises, Chinese Contemporary Art, Le Parvis centre d'art contemporain, Pau, France
|
|
50th International Art Exhibition Venice Biennale, Dreams and Conflicts. The Dictatorship of the Viewer, Venice, Italy
|
|
Time After Time, Yerba Buena Center for the Arts, San Francisco, U.S.A.
|
|
Alors la Chine?, Centre Pompidou, Paris, France
|
2002
|
Synthetic Reality, Video & image works show of Chinese Artist, East Modern Art Center, Beijing
|
|
Tempo, the Works Show of Contemporary Art in 20th, The Museum of Modern Art (MoMA), New York, U.S.A.
|
|
Asian Vibe, an Exhibition of Contemporary Art, Espai d'Art Contemporani de Castello (EACC), Castello, Spain
|
|
Printemps de Septembre, Festival de Photographie & Arts Visuels, Toulouse, France
|
2001
|
Living in Time, 29 Contemporary Artists from China, National galerie im Hamburger Bahnhof Museum fuer Gegenwart, Berlin, Germany
|
|
Compound Eyes, Dr Earl Lu Gallery, Singapore
|
|
Translated Acts, Performance and Body Art from East Asia 1990-2001, Haus der Kultren der Welt, Berlin, Germany; Queens Museum of Art, New York, U.S.A.
|
2000
|
Sovereignty & Beyond, Video from Chinese Artists International Festival (2), Hong Kong space Museum Lecture Hall, Hong Kong
|
|
Photo Espana 2000 - Festival International of Photograpy, Madrid, Spain
|
|
Quotidiana, The Continuity of the Everyday in 20th Century Art, Castell di Rivoli-Museo d'Arte contemporanea, Torino, Italy
|
|
Documentation of Chinese Avant-Garde Art in 90s, Fukuoka Asian Art Museum, Fukuoka, Japan
|
1999
|
Un matin de monde, Galerie Eric Dupout 13 Paris, France
|
|
Unveiled Reality, Contemporary photography of China, Art Beatus Gallery, Vancouver, Canada
|
|
The 3rd Art Life 21 - Spiral TV, It's Tomorrow Now, Wacoal Art Centre, Tokyo, Japan
|
|
Cities on the Move 4, Louisiana Museum of Modern Art, Copenhagen, Denmark
|
|
Cities on the Move 5, Hayward Gallery, London, U.K.
|
1998
|
Every Day, 11th Biennale of Sydney, Museum of Contemporary Art etc., Sydney, Australia
|
|
16th World Wide Video Festival, Amsterdam, Netherlands
|
|
Asia City, The Photographers' Gallery and Asia House, London, U.K.
|
|
Images Telling Stories, Chinese Photographers of Conceputal Art Exhibition, Shanghai Centre Academy of Fine Arts Gallery, Shanghai
|
1997
|
Trade Routes: History and Geography, 2nd Johannesburg Biennale, Johannesburg, South Africa
|
|
Uncertain Pleasure - Special Topic Exhibition, Art Beatus Gallery, Vancouver, Canada
|
|
Another Long March, Chinese Conceptual Art in the 1990', Chasse Kazerne, Fundament Foundation, Breda, The Netherlands
|
|
Cities on the Move 1, Exhibition of Asian Art, Secession, Vienna, Austria
|
|
Cities on the Move 2, CAPC, Musee d' Art Contemporain, Bordeaux, France
|
|
Cities on the Move 3, PS1 Contemporary Art Center, New York, U.S.A.
|
|
Demonstration of Video Art '97 China, Gallery of Central Academy of Fine Art, Beijing
|
1991
|
New Generation Art, Celebrating the 10th Anniversary of the Resuming Publication of Beijing Youth News, The History Museum of China, Beijing
|