The set of “acting human consciousness history” oversteps the official understanding and category to art. The assemblage of every symbolic action including in this culture fitness exercise attempts to dispel the difference between every faith; meanwhile, the actions with the sense of holy rite devote themselves to arouse the self-examination of human “credulous” custom. Moreover, the venue of Physique of Consciousness challenges human psychological inertia by creating an uncertain and unstable exhibiting aura. It is full of different referents and what can be seen rests with the angle of audiences’ attitudes: people only can see the thing which provokes their interests.
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