LI SHAN 李山
b. 1942, works and lives in Shanghai and New York
Li Shan used the visual language of the traditional folk art of paper-cutting to produce images of men and women of all ages and animals with dragonfly wings in order to create a biological world of hybrids of humans, animals, insects, etc. The inlet chamber thus became a space that connects ancient mythical imagination and modern genetic engineering hypothesis to further guide the audience to his creation of bio-art titled “Reading Series”.
Source：MOCA Taipei www.mocataipei.org.tw
Detail pictures:
Reading Li Shan,
Museum of Contemporary Art, Taipei, Taiwan
11.24, 2012
-01.20, 2013
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