ShanghART Gallery 香格纳画廊
Home | Exhibitions | Artists | Research | Press | Shop | Space

HU JIEMING 胡介鸣
b. 1957, works and lives in Shanghai
HU JIEMING 胡介鸣
2002
single-channel video
28 minutes 13 seconds
Edition of 5 + 1AP
HJMU030

There were over three thousand works on the art of war in ancient China, of which over a thousand have been preserved. The Thirty-six Tactics, believed to be compiled by Tan Dao Ji (circa A.D.?—A.D.436),living in the South and North Dynasties is a book that draws on the wisdom of ancient Chinese military thinking and on the lessons of actual military conflicts. It elaborates on the tactics of war, and the interrelationships between war, politics, and economy. As one the most important ancient Chinese works on the art of war, The Thirty-six Tactics has influenced the thinking of many Chinese and overseas military strategists and tacticians. The tactic of ‘on the move (escape, abandonment) is the last of the thirty-six tactics. It is actually a tactic of no tactics, to be entertained only as a last resort when there are no other tactics available. In actual practice, this tactic could mean a deliberate retreat to avoid fighting against a much stronger enemy, and to seek opportunities of beating a comeback.
The video I am presenting centers on the theme of ‘move’, relating the social situation of contemporary China to the historical background of the Long March, the famed 10,000-mile strategic retreat by the Red Army of China in the Chinese Revolution. The materials that make up the video reflect aspects of the daily life of Chinese people, including intellectuals, government officials, laid-off workers, country folks working in cities, unlicensed business dealers, and the elderly. These people, though different from each other in their social status, are all confronted with the same difficult choice of ‘move’, in the wake of the social system reform and the decline of the state-owned enterprise in China. They are forced to give up much of what they are used to, willingly or unwillingly.
In this process of ‘move’, what else are people left with, except a booming economy and an ever expanding cityscape?



Preview Online

Detail pictures:

Video Clips:

Related Exhibitions:
Hu Jieming: Hyperimage, Poly Sunny Walk, Shanghai 05.27, 2018 -07.22, 2018
Video Bureau Archive 29: Hu Jieming, Video Bureau, Guangzhou; Beijing 07.25, 2014 -09.18, 2014
China Contemporary, Netherlands Architecture Institute; Museum Boijmans Van Beuningen; Netherlands Fotomuseum, The Netherlands 06.10, 2006 -08.13, 2006
Light as Fuck! Shanghai Assemblage 2000-2004, The National Museum of Contemporary Art, Oslo, Norway 04.17, 2004 -08.15, 2004
Shanghai Surprise, Lothringer13 - Stadtische Kunsthalle München, Munich, Germany 04.12, 2004 -06.13, 2004


Related Texts:
Countercurrent: One Man's History of Chinese Art - Preface to 100 Years in 1 Minute , Li Zhenghua TEXT 2010
Hu Jieming, A World in Thickness , Richard Castelli TEXT 2010


Related Publication:
Light as Fuck: Shanghia Assemblage 2000-2004



上海香格纳投资咨询有限公司
办公地址:上海市徐汇区西岸龙腾大道2555号10号楼

© Copyright ShanghART Gallery 1996-2024
备案:沪ICP备2024043937号-1

沪公网安备 31010402001234号