|
2024
|
The Exhibition of Annual of Contemporary Art of China (Macao) 2022, Macao
|
|
2023
|
The Power of Painting, Between Ideas and Beliefs, Ennova Art Museum, Langfang
|
|
|
Motion is Action, 35 Years of Chinese Media Art, By Art Matters, Hangzhou
|
|
2022
|
Terrace, Power Station of Art, Shanghai
|
|
|
ON | OFF 2021, Carousel of Progress, He Art Museum, Foshan
|
|
2021
|
The Infallible Interior:The Third Tour of the Exhibition"Note for Tomorrow", Sifang Art Museum, Nanjing
|
|
|
Study, Artists' Individual and Collective Study, Habitat, Shanghai
|
|
|
First Spring, Chapter 3, Melati Suryodarmo, Li Ran, ShanghART Beijing, Beijing
|
|
|
Jiang Nan Stack 2nd Season, Project Terrace VI @1431 Huaihai Middle Rd., 1431 Huanhai Middle Road, Shanghai
|
|
|
The Circular Impact: Video Art 21, OCAT Shanghai, Shanghai
|
|
|
"Polyphonic Strategies: The Moving Image and its Expanded Fields", New Century Art Foundation, Beijing
|
|
|
Missing Home, Goose Cooperation, Wuhan
|
|
|
New General Intellect in Art, Drawing Project 5-Beta, Art Museum of Nanjing University of the Arts, Nanjing
|
|
2020
|
An Archive: Seven Trails, Taikang Space, Beijing
|
|
|
Duration: Chinese Art in Transformation, Beijing Mingsheng Art Museum, Beijing
|
|
|
A Composite Leviathan, Bridge Projects, Los Angeles; Luhring Augustine, New York, U.S.A.
|
|
|
An Impulse to Turn, Inside-Out Art Museum, Beijing
|
|
|
Those who see and know all, are all and can do all., 798 Art Zone, Beijing
|
|
|
Embodied Mirror: Performances in Chinese Video Art, New Century Art Foundation, Beijing
|
|
|
Every Man Is An Artist, Talking About Artists’ Social Engagement, Chi-Wen Gallery, Taipei
|
|
2019
|
Advent: Inventing Landscape, Producing the Earth, Qianshao Contemporary Art Center, Shanghai
|
|
|
Free Prism - Video Wave, Boxes Art Museum, Foshan
|
|
|
Summer Wind Flirts among Words, ShanghART, Shanghai
|
|
|
The Racing Will Continue, The Dancing Will Stay, Times Museum, Guangzhou
|
|
|
Remapping Reality——Selected Video Collection from Wang Bing, OCAT Shanghai, Shanghai
|
|
|
Exit Plan, SNAP, Shanghai
|
|
|
How Now · The Life APP, How Art Museum, Shanghai
|
|
|
Side Lanes, ShanghART, Shanghai
|
|
2018
|
Metageography, Orientaklism and Dreams of Robinsons, ZARYA Center for Contemporary Art, Vladivostok, Russia
|
|
|
METAMORPHOSIS, Art Practices Now Activating Archives and Public Memories, OCT Institute, Beijing
|
|
|
White Flash, ShanghART Beijing, Beijing
|
|
|
The exhibition of annual of contemporary art of China 2017, Beijing Minsheng Art Museum, Beijing
|
|
|
New Video in China: New Attitude since 2010, Anren Overseas Chinese Town Creative Culture Park, Chengdu
|
|
2017
|
Field Guide, Remai Modern, Saskatoon, Canada
|
|
|
Cold Nights, UCCA, Beijing
|
|
|
Performing Dramas I, Sreening, Center Pompidou, Paris, France
|
|
|
Future Generation Art Prize, Collateral Event of the 57th Venice Biennale, Palazzo Contarini Polignac, Venice, Italy
|
|
|
Soil and Stones, Souls and Songs, Jim Thompson Art Center, Bangkok, Thailand
|
|
|
Soil and Stones, Souls and Songs, Para Site, Hong Kong
|
|
|
Future Generation Art Prize, Pinchuk Art Centre, Kiev, Ukraine
|
|
|
The Making of an Institution, NTU Center For Contemporary Art Singapore (CCA), Singapore
|
|
2016
|
OCAT Performs: Act, OCT Contemporary Art Terminal, Shenzhen
|
|
|
Performing in the Shot, New Century Art Foundation, Shanghai
|
|
|
MIC/MAC, A2Z Gallery, Paris, France
|
|
|
Soil and Stones, Souls and Songs, Museum of Contemporary Art and Design (MCAD), Manila, Philippines
|
|
|
A Second Exhibition: By Other Masters, Around The Same Subject, New Date, Hotel Maria Kapel, Hoorn, The Netherlands
|
|
|
Tutorial: Moving Images and A User's Guide from China, Pino Pascali Museum Foundation, Italy
|
|
|
Museum On / Off, Encounters with Pompidou, Center Pompidou-ESPACE, Pairs, France
|
|
2015
|
Exhibit 101: Li Ran and Gary Ross Pastrana, NTU Center For Contemporary Art Singapore (CCA), Singapore
|
|
|
28 Chinese, San Antonio Museum of Art, San Antonio, U.S.A.
|
|
|
Southern Wind, Antenna Space, Shanghai
|
|
|
Absolute Collection Guideline, Sifang Museum, Nanjing
|
|
|
28 Chinese, Asian Art Museum, San Francisco, U.S.A.
|
|
|
From a Poem to the Sunset, First part of an exhibition series with new acquisitions of contemporary Chinese and international art, Daimler Contemporary Berlin, Berlin, Germany
|
|
|
Essential Matters-Moving Images from China, Borusan Contemporary Perili Kosk, Istanbul, Turkey
|
|
|
Mobile M+: Moving Images, Hong Kong
|
|
|
Perched In the Eye of A Tornado, Ying Space, Beijing
|
|
|
Biennale Of Moving Images, Museum of Old and New Art Museum (MONA), Hobart, Australia
|
|
2014
|
1st OCAT & Pierre Huber Prize Annual Exhibition of Emerging Media Artist, OCT Contemporary Art Terminal (OCAT Shanghai), Shanghai
|
|
|
Just as Money is the Paper, the Gallery is the Room, Osage Gallery, Shanghai
|
|
|
Looking Forward, La Biennale de Montréal, Montreal Contemporary Art Museum, Montreal, Canada
|
|
|
Biennale of Moving Images, Centre d’Art Contemporain Genève, Geneva, Switzerland
|
|
|
A Time for Dreams, IV Moscow International Biennale for Young Art, The Museum of Moscow, Moscow, Russia
|
|
|
Hors Pistes Tokyo film festival, Screening Project, Institut français du Japon, Tokyo, Japan
|
|
|
The 8 of Paths, Art Exhibition in the Uferhallen, Uferhallen, Berlin, Germany
|
|
|
Many Place at Once, CCA Wattis Institute for Contemporary Arts, San Francisco, U.S.A.
|
|
|
The Invisible Hand: Curating as Gesture, The 2nd CAFAM Biennale, CAFA Art Museum, Beijing
|
|
|
Sights and Sounds: Global Film and Video, Screening Project, The Jewish Museum, New York, U.S.A.
|
|
|
Li Ran + Liu Shiyuan: A Screening with Christopher Phillips, Asia Art Archive, New York, U.S.A.
|
|
2013
|
Degeneration, OCT Contemporary Art, Shanghai
|
|
|
28 Chinese, Contemporary Art Musuem of the Rubell Family Collection, Miami, U.S.A.
|
|
|
Li Pinghu, Li Ran, Lu Lei: Semi-automatic Mode, ShanghART Beijing, Beijing
|
|
|
Difference Engine, Magician Space, Beijing
|
|
|
Standing in the Shadow, OTA FINE ARTS, Tokyo, Japan
|
|
|
Be Conscious of Yourself, The Experimental Practices from the Oil Painting Department of Sichuan Fine Arts Institute, Suzhou Art Museum, Suzhou
|
|
|
I'm Not Involved In Aesthetic Progress: A Rethinking of Performance, Star Gallery, Beijing
|
|
|
FORMER WEST: Documents, Constellations, Prospects, Haus der Kulturen der Welt(HKW), Berlin, Germany
|
|
|
Alternatives to Ritual, case of OCAT, OCT Contemporary Art Terminal(OCAT ShenZhen), ShenZhen
|
|
|
ON | OFF, China's Young Artists in Concept and Practice, UCCA, Beijing
|
|
|
Reading, Leo Xu Project, Shanghai
|
|
|
Off Course - A Narration Between Italy and Greater China, Screening Project, Fondazione Querini Stamplia, Venice, Italy
|
|
|
Former West: Notes from Berlin, Basis voor actuele kunst (BAK), Utrecht, The Netherlands
|
|
2012
|
The Discreet Charm of the Bourgeoisie, Contemporary Visions on China, Taipei
|
|
|
Alternatives to Ritual, Artists’ Museum, Goethe Open Space, Shanghai
|
|
|
Perspectives 180 - Unfinished Country, New Video from China, The Contemporary Art Museum in Houston, U.S.A.
|
|
|
Roundtable, The 9th Gwangju Biennale, Gwangju, Korea
|
|
|
The First "CAFAM·Future" Exhibition - Sub-Phenomena:Report on the State of Chinese Young Art, CAFA Art Museum, Beijing
|
|
|
The Seventh Shenzhen Sculpture Biennale, Accidental Message: Art is Not a System, Not a World, OCT Contemporary Art Terminal, Shenzhen
|
|
2011
|
Little Movements, Self-practice in Contemporary Art, OCT Contemporary Art Terminal (OCAT Shenzhen), Shenzhen
|
|
|
The Personal is Public, Aike-Dellarco gallery, Shanghai
|
|
|
In a Perfect World, Meulensteen, New York, U.S.A.
|
|
|
Man for Himself, Art Channel, Beijing
|
|
2010
|
Mummery, Art Channel, Beijing
|
|
|
A Project - Incommunicable, Platform China Contemporary Art Institute, Beijing
|
|
|
Use The Hand Do The Job, Shift Space, Shanghai
|
|
2009
|
The 6th Small Productions Event, Hangzhou
|
|
2007
|
Dream Plant Contemporary Art Exhibition, Sichuan Fine Arts Institute, Chongqing
|
Facebook
Instagram
WeChat 微信